Photo, Berliner Philharmoniker/Lena Laine & BBC/Chris Christodoulou
REVIEWED FROM LIVE RELAY ON BBC RADIO 3
Thursday, September 3, 2026
Royal Albert Hall, London
On January 30, those with access to the Digital Concert Hall, the Berliner Philharmoniker’s platform for its live broadcasts and substantial archive, may well have caught the Scriabin Symphony known as ‘The Divine Poem’. Then it was coupled to Brahms’s Violin Concerto, with Janine Jansen. Now it came with Beethoven’s Violin Concerto, soloist Augustin Hadelich, and he played the Brahms the weekend before last at the Salzburg Festival.
With BP/KP, led by creamy-rich woodwinds Hadelich gave a spacious/getting slower first movement, poised, shapely and expressive to be sure, confiding too, but the longer it went on, twenty-five minutes or thereabouts, the more lethargic it seemed. The cadenza was Kreisler’s. The middle movement, also time-taken, offered too little contrast, and the Finale danced vigorously, if too fast, for the music if not the performers, virtuosos all, perhaps too consciously a swift riposte to the previous movements. Hadelich’s encore, as for Salzburg, was his persuasive transcription of ‘Träumerei’ from Schumann’s Kinderszenen.
Inexplicably, ‘The Divine Poem’ failed to take off (this time), music motivic and striding in search of fulfilment, with enchanted pastures along the way. No doubt that the playing was superb – powerful and sensitive – that Petrenko had the work’s continuous wholesome structure in his grasp (Golovanov, below, is more diversionary, shall we say, and incendiary), and that the conclusion was resplendent. My off evening; I shall find a mountain and meditate.
https://www.bbc.co.uk/programmes/m0030jmq
USSR All-Union Radio Symphony Orchestra. Recorded 1946.