Mar 19, 2026 | Recording Reviews
Eighty-three minutes of vintage Walton. Can’t be bad. And it isn’t. Nor is it great, at least as far as the First Symphony is concerned. Total masterpiece of course, but a rather tensionless, at times tame, account, immediately noticeable from the very...
Mar 13, 2026 | Outstanding [category w.e.f. January 2021], Recording Reviews
If Mahler Seven is “problematic” then Paavo Järvi doesn’t agree. He gets it. The listener is hooked immediately when this escapade appears to begin in midsentence, the rowboat already in motion, and, illuminatingly, the violins are explicitly...
Mar 6, 2026 | Outstanding [category w.e.f. January 2021], Recording Reviews
Originally posted on February 19 Huw Watkins has enjoyed a recent productive relationship with the Hallé & Sir Mark Elder (music director at the time), four commissioned works. Here are three of them (the other, Symphony No.1, is also recorded), music of fine...
Mar 6, 2026 | Column Honoree Leonard Slatkin, Outstanding [category w.e.f. January 2021], Recording Reviews, Videos
Originally posted on February 18 “Born at the intersection of music, visual arts, and the world of cinema, this vibrant new program by producer Robert Townson brings together ten internationally renowned composers in world-premiere compositions. Pictures at an...
Mar 3, 2026 | Outstanding [category w.e.f. January 2021], Recording Reviews
Imogen Cooper inhabits these three Sonatas that are distinguished by hallowed Opus Numbers, delving deeply into each work with naturalness and wisdom: everything belongs, within each movement and together in each Sonata, be it sublime utterance (the opening of...
Feb 27, 2026 | Outstanding [category w.e.f. January 2021], Recording Reviews
Green is for go, Víkingur Ólafsson collecting another yellow label as he explores E-major and -minor, opening with a simple yet profound JSB Prelude that is utterly disarming. Beethoven’s Opus 90 Sonata is rough-and-tumble (in a good way) if a little brittle and...