Eduard van Beinum (1900-59) succeeded Willem Mengelberg as conductor of the Amsterdam Concertgebouw Orchestra having previously been involved with the ensemble prior to that appointment. For a couple of seasons, from 1947, van Beinum was also appointed to the London Philharmonic, although ill-health forced him out (the LPO sending for Boult) and his weak heart would eventually prove fatal (collapsing during a Concertgebouw rehearsal), by which time he was also music director of the Los Angeles Philharmonic.
Van Beinum made numerous recordings for Decca and Philips, with his Amsterdam and London orchestras (the greater percentage with the former), handsomely collected here with the original artwork. He was a fine musician – thoughtful and wholesome in his approach, tasteful and watchful, yet penetrating – making for performances that have stood the test of time and which will continue to do so. Orchestra members admired him greatly.
Included here are beguiling accounts of Bach’s four Orchestral Suites happily accommodated on an eighty-two-minute disc, and a complete Handel Water Music, with some of the movements also heard in Hamilton Harty’s scoring. There’s much Mozart (Symphonies and Concertos) neatly appendixed by Max Reger’s Mozart Variations, several Haydn Symphonies (all nicely judged, especially No.97), as well as Beethoven, Schubert and Bruckner, the latter’s Symphonies 5, 7 (twice), 8 and 9 – that last-mentioned unfinished work in this very recording being the first time I wrote a review for a fee (Tower Classical News, edited by John Pattrick). Nor are Mahler (Symphony 4 & Das Lied) and Sibelius (En saga & Tapiola) forgotten.
Brahms gets a substantial look-in with the Four Symphonies – including a great account of Symphony 1 (two other versions, too) and “great” also informs Ravel’s La valse – shattering – and some wonderful Debussy from Amsterdam that paved the way for Haitink’s acclaimed recordings. (In ‘Gigues’ from Images pour orchestre a trumpet refrain is twice muted and should then be without – here mutes are left in.) Bartók and Stravinsky are represented with masterpieces, respectively The Rite and Concerto for Orchestra, and there are Russian favourites from Borodin, Rimsky (Scheherazade) and Tchaikovsky (Romeo and Juliet; Serenade for Strings).
Soloists include Anda, Casadesus, Curzon, Grumiaux, Haefliger, Olof, and others, in choice repertoire. Van Beinum recorded Malcolm Arnold (Beckus the Dandipratt) and Elgar (Cello Concerto with Anthony Pini; Wand of Youth) in London and Britten (Spring Symphony) in Amsterdam; nor did he overlook Dutch composers who may not be household names. And there are rare 78s, for Dutch Decca, Telefunken and DG. Fascinating listening!
The sound is mostly good, or better than that, well-remastered, whether stereo or mono (some of the latter are wonderfully tangible), and those that are a bit scratchy have been restored with due diligence. Presentation is excellent – a booklet with essays, photographs, discographic information and a handy index for exploring the current release, a treasure-trove of selfless yet characterful music-making that defies the ravages of time. Decca 485 1387 (43 CDs + Audio Documentary Feature) will continue to give.
Bach, J S: Orchestral Suites Nos. 1-4, BWV1066-1069
Clarke, Jeremiah: Trumpet Voluntary ‘Prince of Denmark’s March’
Handel: Music for the Royal Fireworks, HWV351
Handel: Water Music Suite
Bach, J C: Sinfonia in B flat major, Op. 18 No. 2
Bach, J C: Symphony in D major, Op. 18 No. 4, W. C27
Handel: Water Music Suite
Mozart: Flute & Harp Concerto in C major, K299
Mozart: Symphony No. 29 in A major, K201
Mozart: Symphony No. 33 in B flat major, K319
Mozart: Symphony No. 35 in D major, K385 ‘Haffner’
Mozart: Piano Concerto No. 24 in C minor, K491
Mozart: Clarinet Concerto in A major, K622
Mozart: Serenade No. 9 in D major, K320 ‘Posthorn’
Reger: Variations and Fugue for Orchestra on a Theme by Mozart, Op. 132
Haydn: Symphony No. 94 in G Major ‘Surprise’
Haydn: Symphony No. 96 in D major ‘Miracle’
- 1952 recording
Haydn: Symphony No. 97 in C major
Haydn: Symphony No. 96 in D major ‘Miracle’
- 1947 recording
Haydn: Symphony No. 100 in G major ‘Military’
Beethoven: The Creatures of Prometheus, Op. 43
Beethoven: Egmont Overture, Op. 84
Beethoven: Coriolan Overture, Op. 62
Beethoven: Leonore Overture No. 3, Op. 72b
Beethoven: Consecration of the House Overture, Op. 124
Beethoven: The Creatures of Prometheus Overture, Op. 43
Beethoven: Fidelio Overture Op. 72c
Beethoven: Violin Concerto in D major, Op. 61
Beethoven: Symphony No. 2 in D major, Op. 36
Schubert: Symphony No. 4 in C minor, D417 ‘Tragic’
Schubert: Symphony No. 5 in B flat major, D485
Schubert: Rosamunde, D797: Overture
Schubert: Symphony No. 3 in D major, D200
Schubert: Symphony No. 6 in C major, D589
Schubert: Symphony No. 8 in B minor, D759 ‘Unfinished’
Mendelssohn: Hebrides Overture, Op. 26
Mendelssohn: Violin Concerto in E minor, Op. 64
Mendelssohn: A Midsummer Night’s Dream Overture, Op. 21
Beethoven: Leonore Overture No. 2, Op. 72a
Rossini: La scala di seta Overture
Mendelssohn: A Midsummer Night’s Dream Overture, Op. 21
Mendelssohn: Symphony No. 4 in A major, Op. 90 ‘Italian’
Rossini: La gazza ladra Overture
Rossini: Guillaume Tell Overture
Rossini: Semiramide Overture
Berlioz: Symphonie fantastique, Op. 14
- 1946 recording
Berlioz: La Damnation de Faust, Op. 24 (orchestral excerpts)
Berlioz: Marche troyenne (from Les Troyens)
Berlioz: Le carnaval romain Overture, Op. 9
Berlioz: Symphonie fantastique, Op. 14
- 1951 recording
Berlioz: Le carnaval romain Overture, Op. 9
Berlioz: La Damnation de Faust, Op. 24 (orchestral excerpts)
Brahms: Variations on a theme by Haydn for orchestra, Op. 56a ‘St Anthony Variations’
- 1952 Recording
Brahms: Symphonies Nos. 1-4
Brahms: Variations on a theme by Haydn for orchestra, Op. 56a ‘St Anthony Variations’
- 1949 Recording
Brahms: Symphony No. 1 in C minor, Op. 68
- 1958 Recording
Brahms: Symphony No. 3 in F major, Op. 90
- 1958 Recording
Brahms: Piano Concerto No. 1 in D minor, Op. 15
Brahms: Tragic Overture, Op. 81
- 1952 Recording
Brahms: Academic Festival Overture, Op. 80
- 1952 Recording
Brahms: Alto Rhapsody, Op. 53
Brahms: Violin Concerto in D major, Op. 77
Brahms: Variations on a theme by Haydn for orchestra, Op. 56a ‘St Anthony Variations’
- 1958 Recording
Brahms: Tragic Overture, Op. 81
- 1958 Recording
Brahms: Academic Festival Overture, Op. 80
- 1958 Recording
Bruckner: Symphony No. 5 in B flat major
Bruckner: Symphony No. 7 in E Major
- 1947 Recording
Bruckner: Symphony No. 7 in E Major
- 1953 Recording
Bruckner: Symphony No. 8 in C minor
Bruckner: Symphony No. 9 in D Minor
Mahler: Symphony No. 4
Mahler: Lieder eines fahrenden Gesellen
Mahler: Das Lied von der Erde
Mahler: Lieder eines fahrenden Gesellen
Lalo: Symphonie espagnole, Op. 21
Tchaikovsky: Serenade for strings in C major, Op. 48
Tchaikovsky: Andante Cantabile (from String Quartet No. 1 in D Op. 11)
Tchaikovsky: The Nutcracker Suite, Op. 71a
Tchaikovsky: Romeo & Juliet – Fantasy Overture
Rimsky Korsakov: Scheherazade, Op. 35
Borodin: Prince Igor: Polovtsian Dances
Bizet: L’Arlesienne Suites 1 & 2
Debussy: Danses sacrée et profane
Stravinsky: The Rite of Spring
Stravinsky: Le Chant du Rossignol
Kodály: Háry János Suite
Bartók: Concerto for Orchestra, BB 123, Sz.116
Bartók: Music for Strings, Percussion & Celesta, BB 114, Sz. 106
Stravinsky: The Firebird Suite
Sibelius: Violin Concerto in D minor, Op. 47
Sibelius: En Saga, Op. 9
Sibelius: Tapiola, Op. 112
Sibelius: Finlandia, Op. 26
Sibelius: Valse Triste, Op. 44 No. 1
Franck, C: Psyche Suite
Franck, C: Symphonic Variations for piano & orchestra, M46
Ravel: Rapsodie Espagnole
Ravel: Boléro
Ravel: La Valse
Debussy: Trois Nocturnes
Debussy: La Mer
Debussy: Images for orchestra, L. 122
Elgar: Cockaigne Overture, Op. 40 ‘In London Town’
Elgar: Cello Concerto in E minor, Op. 85
Elgar: Elegy for strings, Op. 58
Elgar: The Wand of Youth Suite No. 1, Op. 1a
Elgar: The Wand of Youth Suite No. 2, Op. 1b
Britten: The Young Person’s Guide to the Orchestra, Op. 34
Pijper: Symphony No. 3
Britten: Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33
Arnold: Beckus the Dandipratt, Op. 5 – Comedy Overture
Britten: Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33
Britten: The Young Person’s Guide to the Orchestra, Op. 34
Debussy: Berceuse héroïque
Debussy: Marche Écossaise
Thomas, Ambroise: Mignon Overture
Grieg: Two Elegiac Melodies, Op. 34
Nicolai, C O: Die lustigen Weiber von Windsor overture
Sousa: The Stars and Stripes Forever
Pijper: Zes symfonische epigrammen
Pijper: Piano Concerto
Henkemans: Violin Concerto
Diepenbrock: Marsyas concert suite
Brahms: Variations on a theme by Haydn for orchestra, Op. 56a ‘St Anthony Variations’
Bizet: L’Arlésienne Suite
Reger: Valse d’amour
Smetana: Vltava (from Má Vlast)
Berlioz: Benvenuto Cellini Overture
Wagner: Lohengrin: Prelude to Act 3
Beethoven: Egmont Overture, Op. 84
Bach, J S: Orchestral Suite No. 2 in B minor, BWV1067: excerpts
Bach, J S: Orchestral Suite No. 3 in D major, BWV1068
Strauss, R: Don Juan, Op. 20
This seems to be a splendid and very suitable tribute to a great conductor. His Brahms and Bruckner performances in particular outshine many of the more modern versions. But what a strange illustration, with the point of a baton apparently going through the fingers of the conductor’s left hand. I don’t believe van Beinum ever used a baton.
Tony, I have just looked at a number of EvB photos taken at concerts, a mix of with and without baton. Yes, he was a great conductor. I am keeping this set near to me. Colin
A friend from Worcester told me that nobody except Van Beinum understands the last movement of Brahms 1 and I agree.