Recorded between 1952 and 1964 this generous compilation of mostly Mercury and Mendelssohn releases opens with a nifty yet not rushed account of the ‘Italian’ Symphony from Minneapolis, all the more enjoyable for the rhythmic precision that Antal Dorati (1906-82) obtains, although he is not insensitive to other aspects of the music, witness the shapely … Continue reading Eloquence releases Antal Dorati’s recordings of Felix Mendelssohn & Robert Schumann.