Imogen Cooper records “…Le Temps perdu…” for Chandos.

The title owes to Proust. Imogen Cooper, re-exploring pieces she learnt when a teenager in Paris (she explains this in the booklet), opens this eighty-three-minute recital with Ravel’s Valses nobles et sentimentales, establishing that she is very well recorded, with immediacy and dynamism (courtesy of Jonathan Cooper at Potton Hall during February last year) and … Continue reading Imogen Cooper records “…Le Temps perdu…” for Chandos.