https://www.youtube.com/watch?v=pMsb9utjQTE

***NOW UNAVAILABLE***

I remember this performance, my first contact with this great piece. I listened live on R3, it was a Thursday, I was thirteen. The Tchaikovsky was the concert’s first half (the second was Berlioz’s fantastique, which I didn’t hear). The film begs the rhetorical question, why is there a gong present in the percussion section when neither work needs one? Maybe for any encore, or even for tinkering with the Berlioz (perhaps underpinning the Finale’s bells). Anyway, nice to come across this account more than fifty years later, and filmed without distractions.

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