Photo, Mark Allan

Sunday, January 12, 2025

Barbican Hall, London

Anticipating Sir Simon’s seventieth-birthday (on the nineteenth), and including a commission from Mark-Anthony Turnage, this LSO concert was also a British music celebration, in different guises. Turnage’s half-hour concerto for electric guitar is jazzy (as befits John Scofield) building to pounding; lullaby-like and nostalgic; perky; mysterious becoming cinematic; and ‘third stream’ (Gunther Schuller came to mind) and pulsating. All in all, a likeable score, executed nonchalantly if with vibrancy by the plugged-in Scofield, with the well-prepared LSO (including saxophone and plentiful percussion, timpani omitted) contributing vividly. The behatted composer was present.

Opening, the Tippett was suffused with growth, energy and imagery, a synopsis of the opera, played with dynamic virtuosity (not a stitch dropped), rhythmic verve, clarity, heightened expression (ecstatic when required), and a momentum that took all before it. By contrast the VW, written and premiered during World War II and dedicated to Sibelius, was (as it is) spacious, serene and pastoral, also uplifting and bringing solace, with the second movement sprightly, hobgoblins at play, while the third (‘Romanza’), if not without agitation, was heartfelt and transporting, the Symphony floating above the clouds at its very end.

Michael Tippett
Ritual Dances from The Midsummer Marriage
Mark-Anthony Turnage 
Sco – Guitar Concerto (world premiere)
Ralph Vaughan Williams
Symphony No 5

On BBC Radio 3, January 20:

https://www.bbc.co.uk/programmes/m0026wt1