Classical season opens in a collaboration with the Jazz at Lincoln Center Orchestra and Wynton Marsalis

Orchestra commissions and performs the world premiere of a large-scale choral and orchestral work by composer Carlos Simon and librettist Marc Bamuthi Joseph

Guest artists include violinists James Ehnes and Leonidas Kavakos; cellists Alban Gerhardt and Johannes Moser; clarinetist Kari Kriikku, and pianists Kirill Gerstein, Olga Kern, Gabriela Montero and Awadagin Pratt; Orchestra musicians Silver Ainomäe, Erin Keefe, Susie Park and Anthony Ross also featured as soloists

Classical season features 12 returning conductors and 11 who will make their subscription concert debut including Miguel Harth-Bedoya, Dalia Stasevska and Scott Yoo

Osmo Vänskä returns to conduct and record Mahler’s Third Symphony

Classical season features works by contemporary composers including Eleanor Alberga, Chen Yi, Adolphus Hailstork, Philip Herbert, Hannah Kendall, Missy Mazzoli, Jessie Montgomery and Kaija Saariaho

More to Hear: Listening Project concert shares music by composers who have been historically sidelined due to race and creates digital recordings of their work

Popular movies are shown while the Orchestra plays the scores live onstage; films include Star Wars: The Force Awakens, Harry Potter and the Half-Blood Prince™ and The Princess Bride

Live at Orchestra Hall concerts feature a new collaboration with Dessa; Kristin Chenoweth in a holiday concert; National Geographic’s Symphony for Our World; and A Night in the Tropics with Charles Lazarus

Also returning: Relaxed Family Concerts, Chamber Music, Symphony in 60 and Wellness events

MINNEAPOLIS, MINNESOTA (APRIL 27, 2022) — The Minnesota Orchestra today unveiled plans for 2022-23, a wide-ranging season that pairs the music of Beethoven, Brahms and Mendelssohn alongside newer compositions by Alberga, Mazzoli and Montgomery; spotlights masterpieces of the piano repertoire; and features a major world premiere by composer Carlos Simon and librettist Marc Bamuthi Joseph called brea(d)th that embraces the aspiration of racial equity through music-centered community healing. Running from September 2022 to June 2023, the season encompasses Classical, Holiday, Live at Orchestra Hall, Chamber Music, Symphony in 60, Wellness and Relaxed Family Concerts, among others.

“This new season brings many outstanding artists to the Minnesota Orchestra and explores the great music of the past alongside thrilling new work by composers who are responding to our world today,” says violist Kenneth Freed, chair of the Musicians’ Artistic Advisory Committee. “We look forward to sharing these voices, each of whom have something musically powerful to express.”

The Classical concert season opens with Wynton Marsalis’ distinctly American Swing Symphony, featuring Marsalis and the Jazz at Lincoln Center Orchestra performing alongside the Minnesota Orchestra, led by William Eddins, and concludes with Sir Andrew Davis leading Beethoven’s Seventh Symphony and the Berg Violin Concerto with soloist James Ehnes. In between, the season features a multitude of works new to the Orchestra’s repertoire, most written by 21st-century composers; a New Year’s program led by Marin Alsop and featuring pianist Awadagin Pratt; favorite returning guest conductors and artists—from conductor Sir Donald Runnicles and conductor-violinist Leonidas Kavakos to pianists Kirill Gerstein and Garrick Ohlsson—and just as many making their Minnesota Orchestra debuts; and the return of Osmo Vänskä, the Orchestra’s music director from 2003 to summer 2022, to conduct and record Mahler’s Third Symphony in order to complete the Mahler Symphonies recording project for BIS Records.

The Holiday season in December features Orchestra trumpet player Charles Lazarus in Merry & Bright; an evening with Broadway star Kristin Chenoweth; a solo concert with pianist George Winston; a live movie screening of Elf in Concert; and El Mesías—a bilingual Spanish-English performance interweaving portions of Handel’s Messiah with Ramírez’ Navidad Nuestra, featuring Border CrosSing and conductor Ahmed Anzaldúa.

Live at Orchestra Hall, a series featuring popular music, Broadway classics, movie scores and other genres, is led by Sarah Hicks, principal conductor of Live at Orchestra Hall. Highlights include a new collaboration with singer, rapper and writer Dessa; trumpeter Charles Lazarus performing music inspired by the tropics; and “Symphony for Our World,” a new experience that combines National Geographic footage from the Earth’s eight biospheres set to a score by Bleeding Fingers Music. Movie screenings, featuring the Orchestra performing the film scores live, include The Nightmare Before Christmas, Elf, The Princess Bride, Star Wars: The Force Awakens, and Harry Potter and the Half-Blood Prince™.

The Chamber Music season presents three musician-designed concerts in Orchestra Hall’s Target Atrium performed by a variety of small ensembles comprising Orchestra musicians. This season’s programs include ensembles ranging from duos to octets and feature well-known musical selections alongside new or rarely performed works in each concert. 

Relaxed Family Concerts serve an important role in the Orchestra’s mission, designed so that people of all ages and abilities have access to classical music. In 2022-23, three one-hour concerts introduce families to Symphony Spooktacular, Winter Wonderland, and Juneteenth: Celebration of Freedom.

Symphony in 60 concerts are curated one-hour experiences, including pre- and post-concert enhancements, that highlight popular symphonic works paired with musical gems that are newer to Orchestra Hall. Highlighted composers this season include Samuel Coleridge-Taylor, Jessie Montgomery, Modest Mussorgsky and Wolfgang Amadè Mozart.

The Orchestra’s Wellness series includes three yoga classes and three guided mindfulness sessions, each of which features music performed by Minnesota Orchestra musicians.


A Commission and World Premiere

“One of the ways that we make sense of what is happening in the world is to see it through the creative lens of contemporary artists,” says President and CEO Michelle Miller Burns. “In the summer of 2020, in the days after George Floyd’s killing and the unrest that followed, the Orchestra was grappling with how to respond to these tragedies through music and how to use our artistic voice to join the call for change, and the idea of a new work was born—to commission a new composition that addresses broad social justice themes.” 

That large-scale work, created by composer Carlos Simon and librettist Marc Bamuthi Joseph, will receive its world premiere May 18-20, 2023, led by Jonathan Taylor Rush and featuring vocal soloists, the Orchestra, the Minnesota Chorale and Twin Cities Choral Partners. Titling their work brea(d)th, Simon and Joseph embrace what they call “the aspiration of racial equity through music-centered community healing” and will make visits to Minneapolis over the next year to create the composition in consultation with community members, aiming to lead audiences on a path of reflection, intention and organized hope. Simon, whose compositions range from concert music for large and small ensembles to film scores with jazz, gospel and neo-romantic influences, was named a Sundance Composer Fellow in 2018 and currently serves as composer-in-residence at the Kennedy Center for the Performing Arts. The Orchestra will also perform his An ElegyA Cry from the Grave in three October 2022 concerts led by Donald Runnicles. Marc Bamuthi Joseph is a 2017 TED Global Fellow, librettist for the works We Shall Not Be Moved and The Just and the Blind, and serves as vice president and artistic director of social impact at the Kennedy Center. 

Orchestra Stars

The Minnesota Orchestra’s classical season features 25 weeks of concerts, with numerous programs that feature Minnesota Orchestra musicians as soloists. Principal Cello Anthony Ross takes the spotlight in a September 2022 program featuring the Orchestra’s first-ever performances of Michael Daugherty’s Tales of Hemingway, as well as Johannes Brahms’ Second Symphony, led by French conductor Fabien Gabel. Concertmaster Erin Keefe interprets Leonard Bernstein’s Serenade after Plato’s “Symposium” in three February 2023 concerts that also feature works by two other American composers: Missy Mazzoli’s Sinfonia (for Orbiting Spheres) and William Dawson’s Negro Folk Symphony, led by Dalia Stasevska, the chief conductor of Finland’s Lahti Symphony. In June 2023, First Associate Concertmaster Susie Park and Associate Principal Cello Silver Ainomäe perform Brahms’ Double Concerto for Violin, Cello and Orchestra, in a program also featuring Dmitri Shostakovich’s First Symphony and led by British conductor Andrew Manze, who serves as the chief conductor of Hannover’s NDR Radio Philharmonic.

Piano Giants

The season includes an emphasis on remarkable pianists and great works of the piano literature, beginning with November 2022 concerts that feature Macedonian pianist Simon Trpčeski in Tchaikovsky’s First Piano Concerto; Tchaikovsky’s Second Piano Concerto is performed by French pianist Alexandre Kantorow—described by Fanfare as “Liszt reincarnated”—in his February 2023 debut. On New Year’s Eve and New Year’s Day, Awadagin Pratt introduces Jessie Montgomery’s first piano concerto, Rounds, a work commissioned by Pratt that is inspired by T.S. Eliot’s epic poem, Four Quartets. The following week, Kirill Gerstein interprets Rachmaninoff’s powerful Third Piano Concerto, and in February 2023, Venezuelan pianist Gabriela Montero plays her own Latin Piano Concerto in a program that also includes Ravel’s Rapsodie espagnole, Chavez’s Symphony No. 2 and Falla’s Suite from The Three-Cornered Hat, led by Carlos Miguel Prieto. Russian-American pianist Olga Kern—who made headlines in 2001 as the first woman to win the Van Cliburn International Piano Competition in 30 years—plays the Grieg Piano Concerto in March 2023 and Garrick Ohlsson, a favorite who has appeared with the Minnesota Orchestra in numerous performances dating back to 1971, offers Beethoven’s First Piano Concerto in April 2023 performances led by Juanjo Mena.

Musical Voices, Historic and New

The 2022-23 season features a wide-ranging mix of compositional voices interwoven throughout the season that span four centuries of music, come from highly divergent backgrounds and bear witness to remarkably different experiences and influences. Among the exhilarating works by composers of today, many of which have never been heard at Orchestra Hall, are American composer Adolphus Hailstork’s Epitaph for a Man Who Dreamed (In memoriam: Martin Luther King, Jr.) (January 2023); Finnish composer Kaija Saariaho’s Clarinet ConcertoD’OM LE VRAI SENS, featuring Kari Kriikku (March 2023); British composer Hannah Kendall’s The Spark Catchers (March 2023) inspired by the Lemn Sissay poem of the same name; Finnish-born Outi Tarkiainen’s The Ring of Fire and Love (April 2023) in its U.S. premiere, and Jamaican-born British composer Eleanor Alberga’s Tower (June 2023), a work the Orchestra first performed in reading sessions last fall.

Prominent works of past centuries include Maurice Ravel’s Mother Goose complete ballet and Igor Stravinsky’s The Rite of Springconducted by Thomas Søndergård (October 2022); Béla Bartók’s Music for Strings, Percussion and Celesta, led by Scott Yoo (November 2022), in a program that also includes Ulysses Kay’s Concerto for Orchestra; Pablo Heras-Casado conducting Felix Mendelssohn’s

Scottish Symphony (January 2023); Kazuki Yamada leading Toru Takemitsu’s How Slow the Wind and Dvořák’s New World Symphony (February 2023); Robert Schumann’s Third Symphony, subtitled the Rhenish, conducted by Christoph König (March 2023); Claude Debussy’s La Mer and Richard Wagner’s Wesendonck Liederled by David Afkham (April 2023); and conductor and violinist Leonidas Kavakos leading Brahms’ First Symphony and serving as conductor and soloist in a Bach Violin Concerto in D minor (May 2023). 

Concluding the Mahler Recordings Project

Osmo Vänskä will return to the Minnesota Orchestra podium for three November 2022 concerts featuring Mahler’s Third Symphony that spotlight mezzo Jennifer Johnston, the Women of the Minnesota Chorale and the Minnesota Boychoir. In the week following the performances, Vänskä and the Orchestra will record the work, marking the final installment in the Orchestra’s initiative, which was delayed by the pandemic, to record all the Mahler Symphonies for the BIS Records label. (With all the symphonies recorded by November 2022, BIS will release the remaining albums through 2024.)

Minnesota Chorale and The Creation

In addition to Mahler’s Third Symphony and the world premiere by Carlos Simon and Marc Bamuthi Joseph, the Minnesota Chorale will be prominently featured in March 2023 performances of Haydn’s The Creation. Last performed by the Minnesota Orchestra in 1999, the work is a three-part oratorio depicting the Judeo-Christian origin story, including the chaos that preceded creation, the six days of creation and the story of Adam and Eve. Led by Paul McCreesh, the performances also feature soprano Joélle Harvey, tenor Robert Murray and bass-baritone Kevin Deas.

More to Hear: The Listening Project

The Listening Project is part of ongoing initiative to share the music of composers who have been historically sidelined due to race and gender and to collaborate with a broader group of composers living today. Conductor Kensho Watanabe leads a performance of these canon-expanding works in October 2022 that will also be recorded, with all concertgoers receiving a complimentary digital recording of each piece on the program. (Specific works will be announced at a later date.)

Milestone Celebrations: Lunar New Year and Juneteenth

Junping Qian returns to lead a Lunar New performance in January 2023 that welcomes the Year of the Rabbit, with Principal Bassoon Fei Xie reprising his role as artistic consultant for the program as he did in 2022. The concert is presented as part of The Great Northern. In June 2023 the Orchestra offers its first Juneteenth Celebration. Led by American conductor André Raphel, the program will feature music by African American composers across three centuries.

Guest Soloists in the Spotlight

Returning guest soloists in the 2022-23 season include violinists James Ehnes and Leonidas Kavakos; pianists Kirill GersteinAwadagin PrattGarrick Ohlsson and Simon Trpčeski; cellists Alban Gerhardt and Johannes Moser; bass-baritone Kevin Deas; the Jazz at Lincoln Center Orchestra; and choral ensembles Border CrosSingMinnesota Chorale and Minnesota Boychoir.

Performing with the Minnesota Orchestra for the first time are pianists Gabriela MonteroAlexandre Kantorow and Olga Kern; clarinetist Kari Kriikku; sopranos Joélle HarveyAdrianne Pieczonka and Jacquelyn Stucker; mezzo Jennifer Johnston and tenor Robert Murray; and harp player Grace Roepke, who won the Friends of the Minnesota Orchestra’s Young Artists Competition in 2019 and will play the Ginastera Harp Concerto (June 2023).

Guest Conductors on the Podium

Returning to the podium are numerous esteemed conductors, including David AfkhamMarin Alsop, Andrew Davis, William Eddins, Michael FrancisFabien GabelPaul McCreeshJuanjo MenaCarlos Miguel PrietoDonald RunniclesDima SlobodenioukThomas Søndergård and Osmo Vänskä.

Also making subscription concert conducting debuts with the Orchestra are Ahmed Anzaldúa, Ryan Bancroft, Miguel Harth-Bedoya, Pablo Heras-Casado, Christoph König, Andrew Manze, Jonathan Taylor RushDalia StasevskaKazuki Yamada, Scott Yoo and Kensho Watanabe.


Symphony in 60 concerts feature interestingly paired musical works offered in a shorter one-hour format that begins at 6 p.m. and features a pre-concert happy hour and post-concert onstage reception with musicians. The 2022-23 season includes two of these casual format concerts: the first, on Saturday, January 7, 2023, features works by two composers born in the 19th century, Samuel Coleridge-Taylor (Solemn Prelude) and Modest Mussorgsky (Pictures at an Exhibition), led by Los Angeles-born conductor Ryan Bancroft, who is the principal conductor of the BBC National Orchestra of Wales; the second, on March 18, 2023, pairs contemporary composer Jessie Montgomery’s vivid Strum—described as a salute to “American folk idioms and the spirt of dance and movement” —with Wolfgang Amadè Mozart’s 41st and final symphony, Jupiter, conducted by Michael Francis, music director of the Florida Orchestra.


The Minnesota Orchestra’s Common Chords program, which began in 2011, has brought the Orchestra to communities across Minnesota for week-long residencies focused on musical collaboration and education. The eighth Common Chords partnership—which was initially slated for April 2020 but was delayed by the pandemic—will take place in May 2023 in the city of Austin, Minnesota.


The Holiday season opens with a new-to-Orchestra Hall offering, performances of El Mesías with conductor Ahmed Anzaldúa leading the Minnesota Orchestra, Border CrosSing, which comprises a  chorus, vocal soloists and an Andean ensemble. Developed by Anzaldúa, El Mesías is a bilingual Spanish-English cross-cultural combination of the Christmas portion of George Frideric Handel’s Messiah (plus the Hallelujah chorus) interwoven with Navidad Nuestra, a Christmas cantata by Argentine composer Ariel Ramírez that blurs the lines between Western classical and South American folk traditions. In addition to two performances at Orchestra Hall (December 9-10, 2022), El Mesías will also be performed in a version at Minneapolis’ Church of the Ascension (December 11, 2022). 

The Holiday season also features trumpeter Charles Lazarus’ Merry & Bright, a brass-studded staple of the holiday calendar that features a nine-piece brass band and many special guests joining Lazarus for jazzy twists on holiday classics (December 11, 2022); Broadway star Kristin Chenoweth in a one-night-only performance with the full Orchestra featuring new arrangements of holiday favorites and Broadway showstoppers (December 13, 2022); the first Minnesota Orchestra screening of the beloved holiday film Elf starring Will Ferrell, with the Orchestra playing John Debney’s score while the full film plays on an overhead screen (December 17-18, 2022); and a return visit by pianist-composer George Winston, performing music from his “Winter Show” in addition to several new selections from his new album NIGHT on RCA Records (December 19, 2022).

The Orchestra rings in 2023 with a New Year’s celebration featuring Leonard Bernstein’s Candide Overture, Jessie Montgomery’s first piano concerto, Rounds, written for and performed by Awadagin Pratt, and Nikolai Rimsky-Korsakov’s thrilling Scheherazade. It’s all led by conductor Marin Alsop, who returns to Orchestra Hall for the first time since 2011.


The Live at Orchestra Hall series presents performances and collaborations with great artists from across the world and directly from Minnesota, as well as live performances of film scores while the major motion pictures are shown in high definition on a large screen above the stage. Most of these concerts are conducted by Sarah Hicks, the Orchestra’s principal conductor of Live at Orchestra Hall.

The season takes off with a succession of remarkable films, part of the U.S. Bank Movies & Music series, with Tim Burton’s macabre The Nightmare Before Christmas that features a strikingly original score by Danny Elfman (October 2022), followed by The Princess Bride on Thanksgiving weekend with music by British singer-songwriter Mark Knopfler (November 2022). The excitement continues with the next installment of the beloved Harry Potter Film Concert Series with Harry Potter and the Half-Blood Prince™ In Concert, featuring the music of composer Nicholas Hooper (February 2023), and the film series is rounded out with three performances of Star Wars: The Force Awakens featuring a score composed by the legendary John Williams (April 2023).

Additional highlights of the Live at Orchestra Hall season include National Geographic Live: Symphony for our World, a concert that combines breathtaking National Geographic imagery of wildlife and wild spaces set to music by the Emmy-nominated Bleeding Fingers Music (March 2023); A Night in the Tropics with Charles Lazarus, featuring the trumpeter playing evocative rhythms and melodies of Brazil, Cuba and Hawaii with the full Orchestra (June 2023); and two performances with singer, rapper and writer Dessa, in her latest collaboration with Sarah Hicks and the Minnesota Orchestra (August 2023).


The Orchestra’s Chamber Music in the Target Atrium series presents three Sunday afternoon concerts—offered in January, March and June 2023—that are designed by the musicians and showcase small ensembles made up of Orchestra members. The music selected for these concerts includes well-known chamber works such as Mendelssohn’s String Quartet No. 1 and Octet for Strings, Dvořák’s Third String Quartet and Brahms’ String Quartet No. 2, as well as new repertoire by living composers including Tattooed in Snow by the Pulitzer Prize-winning composer Du Yun, Javier Iha Rodríguez’s Pilgrim Tales for Clarinet, Violin and Piano, and Minnesota composer Reinaldo Moya’s Violin 3.0. See the 2022-23 Season Calendar for a complete listing of Chamber Music programs.


During the 2022-23 season, the Orchestra will present five unique Young People’s Concerts across 24 performancesmarking the return of this series for in-person student audiences for the first time since the pandemic began. These concerts are created for students of a variety of ages and include programs such as “Symphony Spooktacular” featuring In the Heart of the Beast Puppet and Mask Theatre, “Color of Music,”  “Winter Wonderland,” “American Riffs” and “Music Around the Globe.” Young People’s Concerts are scheduled during the school day and provide an educational field trip opportunity for student groups and home school students across Minnesota.

“Symphony Spooktacular” (October 2022), “Winter Wonderland” (January 2023) and “Juneteenth: Celebration of Freedom” (June 2023) will also be performed for the public as Relaxed Family Concerts on weekend afternoons. Relaxed Family Concerts are one hour in length and are sensory-friendly experiences designed for audiences of all ages and abilities, including individuals on the autism spectrum and those with sensory sensitivities. These concerts feature the full Minnesota Orchestra along with guest soloists. In the more intimate setting of the Target Atrium, solo musicians or small ensembles also participate in a series of four Sensory-Friendly Concerts this season, which are specially designed performances for audiences of all abilities, mostly hosted by Lyndie Walker of Toneworks Music Therapy. (November 12, 2022; and February 23, April 1 and April 25, 2023).


The Orchestra’s Wellness offerings include a series of three Yoga Classes and three Music & Mindfulness sessions, offered at regular intervals throughout the season. Introduced in 2018, “Musical Flow” Yoga Classes are one-hour morning sessions in the Orchestra Hall lobby, each led by a certified yoga instructor and featuring live music performed by a Minnesota Orchestra musician or duo (November 6, 2022; February 5 and May 14, 2023). Music & Mindfulness Guided Sessions are presented in collaboration with the University of Minnesota’s Earl E. Bakken Center for Spirituality and Healing. Each one-hour session features an exploration of music and mindfulness through performances by an Orchestra musician or small ensemble and engaging dialogue led by a University of Minnesota faculty member (March 16, April 13 and May 11, 2023).


The Orchestra will continue to offer a regular series of livestreamed This Is Minnesota Orchestra performances on its website and social media channels, including Søndergård Conducts The Rite of Spring (October 21, 2022), El Mesías (December 9, 2022); Gerstein Plays Rachmaninoff (January 6, 2023); Rapsodie Espagnole (Feb 3, 2023); American Riffs Young People’s Concert (March 9, 2023) Afkham and Pieczonka (April 14, 2023); Brea(d)th (May 19, 2023), Juneteenth: Celebration of Freedom (June 23, 2023); and Dessa with the Minnesota Orchestra (August 4, 2023). Most livestreamed concerts will be available to audiences at no cost as they debut live and for up to a week afterward on the Orchestra’s website; subsequent on-demand access will be available for purchase. Further details, as well as concerts that will be broadcast on Twin Cities PBS, will be shared this summer.

Extending a longtime partnership with Minnesota Public Radio, the Orchestra’s Friday evening classical concerts will be broadcast regionally on YourClassical MPR stations.

For a chronological listing of all Minnesota Orchestra events for the 2022-23 season, please see the separate Season Calendar.


Tickets, packages and digital subscriptions can be purchased at; by calling 612-371-5656 (612-371-5642 for subscriptions) or 800-292-4141 (open Monday to Friday, 10 a.m. to 5 p.m., and four hours prior to ticketed performances); in person at Orchestra Hall, 1111 Nicollet Mall, Minneapolis (open  beginning 90 minutes before all ticketed performances).

Subscription packages are on sale now. Single tickets for the 2022-23 season go on sale July 18, 2022.

Free tickets are available for young listeners ages 6-18 for Classical and Symphony in 60 concerts, and for all young listeners under age 18 for Family concerts. Visit for details.

All programs, artists, dates, times and prices subject to change.