Originally posted on December 23

A musical Journey from 1920s New Orleans to Paris, Vienna and Berlin, from the Speakeasy to the Burlesque to the Cabaret!

Thursday 31 December at 7.30pm GMT
Available FREE of charge for four days
and afterwards in the ESO Digital Archive
www.eso.co.uk/20s
‘The Roaring 20s – Decade of Melody and Mayhem’
Music from Wyastone – Studio Concert Series


Eubie Blake: Charleston Rag
Jelly Roll Morton: Black Bottom Stomp
Erwin Schulhoff: Suite for Chamber Orchestra Op.37
Ernst Krenek: Fantasie on ‘Jonny spielt auf’ (‘Jonny Played On’)
Darius Milhaud: Le boeuf sur le Toit (‘The Ox on the Roof’)
Poeme Choregraphique

English Symphony Orchestra
Kenneth Woods 
Artistic Director/Conductor
Zoë Beyers Leader/Violin Soloist
Thursday 31 December at 7.30pm GMT
Available FREE of charge for four days
and afterwards in the ESO Digital Archive


One hundred years ago, the African-American music called Jazz exploded onto the international scene and changed the world forever.  Performed by the English Symphony Orchestra and filmed in period costume with atmospheric lighting,Conductor, Kenneth Woods, said; “As we prepare to celebrate the dawn of a New Year, the ESO is looking back 100 years to the wild musical terrain of the Jazz Age and to how a musical revolution, which started with Ragtime in Arkansas, took hold in Berlin, Vienna and Paris.” 
 
About the Composers and their music
 
Eubie Blake
Blake was one of American music’s most enduring figures, contributing to the Ragtime revolution and the emergence of Jazz, his performing career spanned almost the entire 20th Century. Credited with coining the expression shortly after his 100th birthday “If I’d known I was gonna live this long, I would have taken better care of myself” – his Charleston Rag remains one of the cornerstones of American music.
 
Jelly Roll Morton
The self-proclaimed ‘inventor of jazz’, New Orleans-born Jelly Roll Morton was a pianist of rare ability, a performer of supreme charisma, and a composer and arranger of genius. His 1925 composition ‘Black Bottom Stomp’ was a response to the “Black Bottom” dance craze that swept America in the ‘Roaring 20s’, given a bit of spice via Morton’s trademark ‘Spanish tinge’.  
 
Erwin Schulhoff
Schulhoff was one of the first European composers to embrace American music, and his Suite for Chamber Orchestra is a brilliant and witty romp with movement titles including ‘Shimmy’, ‘Tango’ and ‘Stomp’. Included in his large percussion section are a bicycle horn and a siren whistle.
 
Ernst Krenek
By 1920, Krenek had already staked out a reputation as a modernist firebrand – married for a time to Mahler’s daughter and hailed by many as the heir to Schoenberg. But when he embraced Jazz in his opera ‘Jonny spielt auf’, he achieved a true succès de scandale, and the controversial opera would take Central Europe by storm, becoming the biggest hit of the 1920s before it was banned by Hitler in 1933. The English Symphony Orchestra made the first complete recording of Krenek’s concertante works for piano and orchestra (his four piano concertos, Concerto for Two Pianos, Double Concerto for Piano and Violin and Little Concerto for Organ and Chamber Orchestra) with pianist Mikhail Korzhev in 2016-7. Those recordings earned a string of international accolades, including being chosen as one of the Sunday Times Best Recordings of 2016 and one of Forbes Magazine’s Top 11 Recordings of 2017.
 
Darius Milhaud
Mihaud looked further south for the inspiration for his surreal ballet, ‘Le boeuf sur le Toit’ (‘The Ox on the Roof’), borrowing extensively from the South American repertoire of bossa novas and tangos. He later re-worked the ballet into a stupendously virtuosic violin concerto, performed here by the ESO’s Leader, Zoë Beyers.
 
Zoë Beyers, Leader/Violin Soloist
South-African born Zoë Beyers has established a reputation as one of the finest violinists of her generation. She is based in the UK and performs as soloist, chamber musician, director and orchestral leader across the world. 2018’s BBC Proms saw Zoë lead the BBC Symphony Orchestra under Sakari Oramo and Karina Canellakis, the BBC Philharmonic under Juanjo Mena and give two performances of Stravinsky’s ‘L’Histoire du Soldat’ with the Hebrides Ensemble. In 2020, she also took on the role of Leader with the BBC Philharmonic, a position she holds currently with her role at the ESO. Since her solo debut aged eleven with the Swedish Chamber Orchestra under Paavo Järvi, she has performed as soloist with many distinguished conductors throughout Europe and Africa.