When I interviewed Tony Pappano, he had the score of The Minotaur on his desk (some months before the premiere) and he was full of praise for the music, mentioning its through-composed focus and concentration.
When I interviewed Tony Pappano, he had the score of The Minotaur on his desk (some months before the premiere) and he was full of praise for the music, mentioning its through-composed focus and concentration.