Sep 17, 2023 | Concert Reviews, Enescu Festival 2023, Opera Reviews, Outstanding [category w.e.f. January 2021], Videos
György Ligeti (1923-2006) Sunday, September 17, 2023 The Romanian Athenaeum, Bucharest Not many operas begin with a car-horn consort, but Ligeti’s wacky, weird and wonderful Le Grand Macabre does, a prelude to a surreal score that keeps the ear guessing and...
Sep 12, 2023 | Concert Reviews, Enescu Festival 2023, Opera Reviews, Outstanding [category w.e.f. January 2021], Videos
Tuesday, September 12, 2023 Grand Palace Hall, Ion Câmpineanu 28, Bucharest, Romania These few words are merely a means of documenting one of the absolute highlights of the Enescu Festival 2023 (whatever happens next), a concert performance of Benjamin Britten’s...
Aug 28, 2023 | Concert Reviews, Enescu Festival 2023, Opera Reviews, Outstanding [category w.e.f. January 2021], Videos
Monday, August 28, 2023 Grand Palace Hall, Ion Câmpineanu 28, Bucharest, Romania In the first of their two appearances at this year’s Enescu Festival (the second is tomorrow, Mahler’s ‘Resurrection’ Symphony) Zubin Mehta conducted Maggio...
Aug 17, 2023 | BBC Proms 2023, Concert Reviews, Opera Reviews, Outstanding [category w.e.f. January 2021]
Photo, Sisi Burn Thursday, August 17, 2023 Royal Albert Hall, London Commissioned by and premiered at La Scala on November 15, 2018, conducted by Markus Stenz (some pre-performance articles at the time cited Ingo Metzmacher as the maestro; Pierre Audi directed), the...
Apr 14, 2023 | Concert Reviews, Opera Reviews, Outstanding [category w.e.f. January 2021], Videos
Friday, April 14, 2023 Berliner Philharmonie, Herbert-von-Karajan-Straße, Berlin The Berliner Philharmoniker and Kirill Petrenko have been in Baden-Baden for concerts (also involving Daniel Harding and Emmanuelle Haïm) and several staged performances of Die Frau ohne...
Mar 26, 2023 | Guest Contributors, Opera Reviews
Photo, English National Opera Saturday, March 25, 2023 The Coliseum, London Guest Reviewer, David Gutman Long condemned for its reliance on a regressive, played-out seam of romanticism, Erich Wolfgang Korngold’s first full-length opera and biggest 1920s’ hit would...